Ultra aftermovie Into Hyperspace.
Ultra aftermovie Into Hyperspace arrives as a bold, cinematic tribute to Ultra Music Festival’s 25th anniversary. The sold‑out Bayfront Park weekend united Skrillex, Martin Garrix, Carl Cox, Armin van Buuren, Charlotte de Witte, Steve Aoki, Alesso, and more. It also delivered landmark moments, including Anyma B2B Solomun’s world debut and the Ultra debut of Everything Always. Afrojack shocked the main stage with Sia and David Guetta to perform Titanium live for the first time.
Legacy, Evolved
The film doubles as a statement of intent for Ultra’s future while honoring its past. Ultra has opened the waitlist for its 26th edition, returning to Bayfront Park from March 27–29, 2026. The 2025 aftermovie trades last year’s GTA homage for a sleek space saga, expanding Ultra’s ongoing tradition of narrative-led recaps.
Cinematic Hyperreel
Produced by UMF Films and FINAL KID FILMS, Into Hyperspace is directed by Charly Friedrichs. Working with editor Victor “Vizitron” Eguiguren and VFX artist JP Caruana, Friedrichs recasts the format as a Cinematic Hyperreel. It is designed as a single immersive feature that also breaks down into standalone, social-ready chapters, reflecting how fans now discover and share festival culture.
Interstellar Opening
An ULTRAnaut pilots a ship through archival memories toward Ultra Miami, soundtracked by a cinematic remix of deadmau5’s Ghosts N’ Stuff. The craft reveals itself as the Ultra “U,” descending onto the Main Stage as crowds flood in. From there, the edit races across the Main Stage, RESISTANCE Megastructure and Cove, Live and Worldwide stages, stitching fan euphoria with high‑impact performances.
Star-Powered Montage
Subtronics, Timmy Trumpet, Miss Monique, Mau P, ARTBAT, Joel Corry, Adam Beyer, Four Tet, Eli Brown, Charlotte de Witte, Carl Cox, Solomun, Boris Brejcha, Barclay Crenshaw, LEVEL UP, LTJ Bukem, Peekaboo, Tiësto, I Hate Models, Oliver Heldens, Skrillex, Gesaffelstein, Zedd, deadmau5 B2B Pendulum, ATLiens, Hardwell, Everything Always, Alesso, and Martin Garrix drive the narrative. The result captures Ultra’s cross‑genre scale and its knack for firsts.
Soundtrack As Spine
Final Kid curates a fast and emotional megamix that serves as the film’s lifeblood. It threads Nero’s remix of Ghosts N’ Stuff, John Summit’s Light Years, Mau P’s People Talk People Sing, and Joe Brunning’s Now Let Me See You Work. That last cut nods to Carl Cox’s Ultra anthem and Final Kid’s 2011 Can U Feel It, closing a 25‑year loop with style.
Beyond The Screen
Into Hyperspace extends Ultra’s reputation for boundary‑pushing recaps while matching today’s short‑form era. It is both a time capsule and a preview of what’s to come. As Ultra aftermovie Into Hyperspace fades, anticipation shifts to #ULTRA26, where the festival’s intergalactic arc continues on Earth.